(((O)))

David Beattie, Robert Blake, Cormac Browne, Jessica Conway, The Crepe Crypt, Simon Cummins, Daniel Fitzpatrick, Jane Fogarty, Teresa GIllespie, Gemma Gore, Paul Hallahan, Sarah Forrest & Virginia Hutchison, Dragana Jurisic, Katyayani's Vegetarian Food, Marion Kelly, Kevin Kirwan, Serena Lee, Jonathan Mayhew, Luke McCreadie, Rob Murphy, Oisin O'Brien, Liam O'Callaghan, Helena O'Connor, Michael O'Rourke, Seoidin O'Sullivan, Lucy Pawlak, Susana Pedrosa, Alan Phelan, Pm, Eoghan Ryan, RGKSKSRG, Tim Stott, Senjia Topcic, Matías Vértiz, Lee Welch, Marysia Wieckiewicz

Tag: Teresa Gillespie

moments

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moments

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With-time

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siting in a room with one hundred hands

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sometimes i’m so straight people think i’m crazy

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So much for the exterior. And what happened inside didnt leave any clear traces. There was something arousing.

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encircle

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sources are tapped when required to enhance the perceptual interplay

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a dissonance, a change in rhythm. While on the outside everything happens with the vertiginous rhythm of a cataract, on the inside is the exhausted adagio of drops of water falling from time to tired time. For this reason the outside, seen from the inside, appears absurd and unreal, and constitutes ‘the farce we all must play’.

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the cycle was more unpredictable because very little was known

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He didnt speak, but every now and then he would stretch his leg out and look at his foot with a terrified expression. This foot wore a boot, but the other foot was in a slipper…

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I felt in my hand a cold object which attracted my attention by means of a sort of personality. I opened my hand and looked: I was holding the doorknob.

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To do. To do by not doing. To do for no reason. To not do for many reasons. To do without giving a shit what one is doing. The desire to do something. Not to do Art. To do because in a moment it was the thing to do. For no logic other than an inexplanable desire to do it. To do through being. Being open to affects that cause unexpected doings.

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A manner of gathering, whether of objects or experiences. An interweaving stream of consciousness and material encounters.

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Slipping between the boundaries of categorisations.

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We begin to see the circle but only have a blind sense of whats encircled.

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Rapture comes with the something deeper that cannot be seen or understood. I think it tends to cause a rupture.

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Absolutely. Beauty grows as the edge of the circle shimmers defining something deeper than a surface.

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go go go go
stop!

something’s catching up
crash

ooops wasnt expecting that

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the silence worked brilliantly after that.

Going Postcard After Michael

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goingpostcard

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Am i interrupting your indulgences?

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It brings up the whole subject object question. Is there a point that a voice becomes an object independent of its speaker?

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(((O))) is the name of some band….

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and after tears…a frog chorous.

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but metaphor, myth, can only be clarified inside the circle of metaphors; a mythology of mythology is – absent; the circle of metaphors is – not enclosed; it is closed by sound; sound is – immediate; and the mythology of mythologies lies in the meaning of sound; sounds are indisputable;

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…………………………….. pointing to something absent in a manner that denies that there is anything to be pointed to, that is, by simultaneously pointing and denying that one is pointing, by pointing in denial of pointing‘s significance.

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colourappear

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We’re in the same terrain. Though i’m thinking about voices coming together to create an indecipherable noise that obscures meaning and a subjective source. Voices coming together outside and beyond the subject somehow. Early stages. I guess its a kind of harmony too.

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Harmony. Individual voices coming together that last only a breath.

a health farm?

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JUMPERS

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It was a physical response to a religious state that words could not express – and a phenomenon known to be contagious within a group. The actions and emotions of the ‘Jumpers’ can be found echoed in various forms of contemporary culture. For instance, the mosh-pits and raves of dance culture feature the convulsive and possessed movement of people shifting from agony to ecstasy.

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ventriloquist ventriloquist2

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acculturatedexpectation

the truth is that there is no reason for everything

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mattin

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He asserts that we “narcissists, echoists, we only listen to languages and human rumblings”. We are incapable, according to Serres, of making room for that space Derrida discerns in graphic possibility for the in-coming of the other. Serres writes: “by splashing about in this foul rubbish of meaning, we appropriate the world… we’re only interested in ourselves and our properties. Never in others. I’m not only talking about other ourselves, those who, resonating with languages said to be foreign, nevertheless buzz with human languages. But other others: belling or howling living things and resonating things. Yet we’re beginning to decipher the codes of living things—true living languages, authentically foreign—and the inert things of the Earth, both of which, like us, receive, transmit, store and process information” The biogea, he concludes, converses.

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…………………………………………………Each particle of dust carries with it a unique vision of matter, movement, collectivity, interaction, affect, differentiation, composition and infinite darkness — a crystallized data‐base or a plot ready to combine and react, to be narrated on and through something. There is no line of narration more concrete than a stream of dust particles. Given that each dust particle envelopes and carries different materials and entities from diverse territories, dust particles express particulars of different fields and territories in terms of universals.

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collectiveasplayground

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seriousrelationship

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eyes

its not just the words

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body-language

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Miscommunication-Cartoon

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miscommunication-incorrect-info

avoidance of

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contractingcircle

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contractingcircle02

new perspectives

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Wonderwall-1968-9

thinking about drawing a circle

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drawingacircle

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truth does not need meaning, even if meaning needs truth

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truthdoesnotneedmeaning

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noninformation

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interview