(((O)))

David Beattie, Robert Blake, Cormac Browne, Jessica Conway, The Crepe Crypt, Simon Cummins, Daniel Fitzpatrick, Jane Fogarty, Teresa GIllespie, Gemma Gore, Paul Hallahan, Sarah Forrest & Virginia Hutchison, Dragana Jurisic, Katyayani's Vegetarian Food, Marion Kelly, Kevin Kirwan, Serena Lee, Jonathan Mayhew, Luke McCreadie, Rob Murphy, Oisin O'Brien, Liam O'Callaghan, Helena O'Connor, Michael O'Rourke, Seoidin O'Sullivan, Lucy Pawlak, Susana Pedrosa, Alan Phelan, Pm, Eoghan Ryan, RGKSKSRG, Tim Stott, Senjia Topcic, Matías Vértiz, Lee Welch, Marysia Wieckiewicz

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Everyone knows, you can’t predict an earthquake.

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sources are tapped when required to enhance the perceptual interplay

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It’s terrifying to look at the present and recognize that rather than ending this kind of violence we have democratized it.

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I was baffled by two things: one, that God would be calling me,

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a dissonance, a change in rhythm. While on the outside everything happens with the vertiginous rhythm of a cataract, on the inside is the exhausted adagio of drops of water falling from time to tired time. For this reason the outside, seen from the inside, appears absurd and unreal, and constitutes ‘the farce we all must play’.

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the cycle was more unpredictable because very little was known

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I wouldn’t say I see anything to lead me to believe that this is a different kind of cycle

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franz

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in voice-over: “Now it’s time to open a second parenthesis, and to describe the emotions of the characters.” It cuts out three more times,

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objects that then reshape themselves or self-assemble over time