David Beattie, Robert Blake, Cormac Browne, Jessica Conway, The Crepe Crypt, Simon Cummins, Daniel Fitzpatrick, Jane Fogarty, Teresa GIllespie, Gemma Gore, Paul Hallahan, Sarah Forrest & Virginia Hutchison, Dragana Jurisic, Katyayani's Vegetarian Food, Marion Kelly, Kevin Kirwan, Serena Lee, Jonathan Mayhew, Luke McCreadie, Rob Murphy, Oisin O'Brien, Liam O'Callaghan, Helena O'Connor, Michael O'Rourke, Seoidin O'Sullivan, Lucy Pawlak, Susana Pedrosa, Alan Phelan, Pm, Eoghan Ryan, RGKSKSRG, Tim Stott, Senjia Topcic, Matías Vértiz, Lee Welch, Marysia Wieckiewicz

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He asserts that we “narcissists, echoists, we only listen to languages and human rumblings”. We are incapable, according to Serres, of making room for that space Derrida discerns in graphic possibility for the in-coming of the other. Serres writes: “by splashing about in this foul rubbish of meaning, we appropriate the world… we’re only interested in ourselves and our properties. Never in others. I’m not only talking about other ourselves, those who, resonating with languages said to be foreign, nevertheless buzz with human languages. But other others: belling or howling living things and resonating things. Yet we’re beginning to decipher the codes of living things—true living languages, authentically foreign—and the inert things of the Earth, both of which, like us, receive, transmit, store and process information” The biogea, he concludes, converses.


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…………………………………………………Each particle of dust carries with it a unique vision of matter, movement, collectivity, interaction, affect, differentiation, composition and infinite darkness — a crystallized data‐base or a plot ready to combine and react, to be narrated on and through something. There is no line of narration more concrete than a stream of dust particles. Given that each dust particle envelopes and carries different materials and entities from diverse territories, dust particles express particulars of different fields and territories in terms of universals.